Enola Holmes 3 poster
MOVIE REVIEW

Enola Holmes 3

Philip Barantini
2026
2026-08-01

Rating

Under Philip Barantini's direction, the Enola Holmes series finds its third adventure in the streets of Malta. Featuring Millie Bobby Brown's maturing performance and a new mystery that preserves the series' feminist stance, the production reinterprets the traditional codes of the adventure genre with a modern language.

7.2/10

Enola Holmes 3 arrives as the third installment of Netflix's successful detective series, set under the Maltese sun. Philip Barantini taking the director's chair signals a notable shift in the series' visual language. The British director, who proved his single-take mastery with Boiling Point, opts for a more conventional narrative here, yet skillfully maneuvers his camera through Malta's narrow streets and historic fabric.

In the series' third film, Enola Holmes is now a young woman of marriageable age. The internal conflict of a character caught between the social roles Victorian England assigned to women and her own passion for independence forms one of the film's central tension points. When the adventure beginning in Malta intersects with her brother Sherlock's mysterious disappearance, Enola finds herself in the midst of her most complex case yet. In this adaptation from Nancy Springer's novels, a darker and more dangerous tone prevails.

Millie Bobby Brown convincingly reflects the character's maturation process. The development she's shown since her role as Eleven in Stranger Things is evident in Enola Holmes 3 as well. Particularly, her direct dialogues with the audience by breaking the fourth wall continue to be one of the series' distinguishing features. Henry Cavill's interpretation of Sherlock Holmes, though receiving less screen time in this film, creates the movie's most intimate moments through the emotional bond he establishes with his sister. Helena Bonham Carter's role as anarchist mother Eudoria is once again used in measured doses, with the character's presence adding depth to the story.

Philip Barantini's direction follows a different path from Harry Bradbeer's colorful and dynamic style in the series' previous two films. Malta's stone streets, ancient ruins, and Mediterranean light are the elements that define the film's visual atmosphere. The cinematographer succeeds in capturing the romantic air of the period by using warm tones in sunset scenes, while the dramatic contrast created by candlelight and shadows in night sequences is quite impressive. However, the editing being too fast in some action scenes can cause us to miss details.

Though Enola Holmes 3's screenplay attempts to keep the mystery element at the forefront, some plot twists remain at a predictable level. The mystery connected to Malta's historic Knights' legacy offers an interesting foundation, but there's a sense that the finale was rushed. The film maintains quite an intense pace throughout its 109-minute runtime, which leads to some characters not being developed sufficiently. While Louis Partridge's Tewkesbury and Himesh Patel's new character add color to the story, the romantic triangle between them not being fully explored stands out as a shortcoming.

In terms of production design, the film is quite successful. Malta's historic locations create a perfect backdrop for Victorian England. The costume design also reflects the social codes of the period while strengthening the character's personality through Enola's practical and rebellious clothing style. The music, this time prepared by a different composer instead of Daniel Pemberton, preserves the series' familiar themes while adding Mediterranean melodies that reflect Malta's exotic atmosphere.

The series' feminist messages are preserved in this film as well. Enola's defiance of social expectations, the female detective character's strong stance, and the emphasis on independence are inspiring, especially for young viewers. However, the film sometimes delivering these messages in an overly didactic manner can disrupt the naturalness of the narrative. A particularly interesting point for Turkish audiences is Enola's culture shock and adaptation process on the island of Malta, which serves as a bridge between East and West.

Enola Holmes 3 is a sequel that maintains the series' general line, is visually rich, but doesn't quite reach the same level as previous films in terms of screenplay. Philip Barantini's fresh perspective should be appreciated, though whether he fully captures the spirit of the series is debatable. The film fits perfectly into Netflix's youth-oriented content strategy and particularly appeals to viewers in the 12-18 age range. Thanks to its balanced mix of adventure, mystery, and light romance, it has become a production suitable for family viewing. In conclusion, Enola Holmes 3 offers an entertaining detective adventure that won't disappoint fans of the series and can also engage new viewers in the story.

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Frequently Asked Questions

Who directed Enola Holmes 3?

Enola Holmes 3 is directed by Philip Barantini, marking a directorial change from the previous films in the series. Barantini brings a fresh perspective to the franchise with this 2026 installment.

Where was Enola Holmes 3 filmed?

Enola Holmes 3 was filmed in Malta, taking the series away from its traditional London setting. The Maltese streets provide a new backdrop for Enola's third mystery adventure.

Is Enola Holmes 3 worth watching?

With a FoxFilm score of 7.2/10, Enola Holmes 3 is worth watching, especially for fans of the series who will appreciate Millie Bobby Brown's maturing performance. The new Malta setting and fresh directorial vision add interesting elements to the franchise.

Does Millie Bobby Brown return in Enola Holmes 3?

Yes, Millie Bobby Brown returns as Enola Holmes in the third film. Her performance is noted as more mature, continuing her character's development from the previous two installments.

Score Breakdown

Story7.1/10
Acting7.5/10
Visuals7.8/10
Music7.0/10

Details

CategoryMovie
DirectorPhilip Barantini
Year2026
Release Date2026-08-01

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